{"id":156,"date":"2023-10-10T04:49:53","date_gmt":"2023-10-10T04:49:53","guid":{"rendered":"https:\/\/www.theactorshandbook.com\/theatre-production-guide-getting-started\/"},"modified":"2023-10-10T09:03:43","modified_gmt":"2023-10-10T09:03:43","slug":"getting-started","status":"publish","type":"page","link":"https:\/\/www.theactorshandbook.com\/theatre-production-guide\/getting-started\/","title":{"rendered":"Getting Started"},"content":{"rendered":"<div id=\"mainContent\">\n<p>&nbsp;<\/p>\n<table width=\"306\">\n<tbody>\n<tr>\n<td><a href=\"https:\/\/www.theactorshandbook.com\">Resources<\/a><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td width=\"193\"><a href=\"https:\/\/www.theactorshandbook.com\">Announcing Auditions <\/a><\/td>\n<td width=\"10\"><\/td>\n<td width=\"98\"><\/td>\n<\/tr>\n<tr>\n<td><a href=\"https:\/\/www.theactorshandbook.com\">Securing Rights <\/a><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><a href=\"https:\/\/www.theactorshandbook.com\">Selecting Plays <\/a><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h1>\n<p>Resources<\/h1>\n<p><strong>Dramatists Guild of America<\/strong><\/p>\n<p>1501 Broadway, Suite 701<\/p>\n<p>New York, NY 10036<\/p>\n<p>info@dramatistsguild.com<\/p>\n<p>(212) 398-9366<\/p>\n<p><a href=\"http:\/\/dramatistsguild.com\">dramatistsguild.com<\/a><\/p>\n<p><a href=\"http:\/\/facebook.com\/dramatistsguild\">facebook.com\/dramatistsguild<\/a><\/p>\n<p>Launched 1912 as the Authors\u2019 League of America, the Dramatists Guild of America now serves over 7,000 playwrights, composers, lyricists, and librettists.<\/p>\n<p>It&#8217;s members range from beginning writers to the most prominent authors represented on Broadway, off-Broadway, and in regional theaters nationwide. The Guild exists to protect dramatist\u2019s control over the content of their work, ensure dramatists are paid for the use of their work in a way that encourages them to continue to create.<\/p>\n<p>The Guild supports its members in many ways by:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>Publishing model contracts address all levels of production<\/li>\n<li>Advocating for dramatists\u2019 interests<\/li>\n<li>Developing members&#8217; artistic and business skills through classes and publications<\/li>\n<\/ul>\n<p><strong>A Guide to Copyrighting, Publishing, and Licensing Plays<\/strong><\/p>\n<p>By Jina Jang &amp; Manasi Raveendran<\/p>\n<p>Published by the ProBono Partnership, 2013<\/p>\n<p><a href=\"http:\/\/probonopartner.org\">probonopartner.org<\/a><\/p>\n<p>Free Download: <a href=\"http:\/\/probonopartner.org\/publications\/copyrighting-publishing-and-licensing-plays\">probonopartner.org\/publications\/copyrighting-publishing-and-licensing-plays<\/a><\/p>\n<p>Pro Bono Partnership provides legal assistance to nonprofit organizations.<\/p>\n<p>This Guide discusses various legal and business considerations presented by the copyright, publication , and licensing of plays. Section I address es general copyright issues, providing brief explanations about different aspects of copyright as well as step-by-step instructions on registering a copyright. Section II addresses various issues related to publication of a play , including some key contract terms that an author should consider when entering into an agreement with a publishing house. Section III discusses licensing and royalties and provides, via an addendum, some sample licensing agreement language.<\/p>\n<p>The site reminds visitors that this memorandum guide is not legal advice, nor does it create an attorney-client relationship between the Pro Bono Partnership and any reader.<\/p>\n<p><strong>Doollee.com<\/p>\n<p><\/strong>Online<strong><\/p>\n<p><\/strong>info@doollee.com<\/p>\n<p><a href=\"http:\/\/doollee.com\">doollee.com<\/a><\/p>\n<p>Doollee is an online database of playwrights and theatre plays. It aims to list every play written or produced in English since 1956, the year John Osborne&#8217;s seminal play <em>Look Back in Anger<\/em> was first performed at the Royal Court in London. Currently lists over 55,000 playwrights and nearly 200,000 plays. Parts of site accessible after paying a daily or yearly fee.<\/p>\n<p>As a general rule, if you are a playwright who has had at least one play published or produced in English since 1956 you are eligible for inclusion on the site. Doollee will then list the details of every other play you have written even if it is unpublished, unproduced, or was written before 1956. Go to site to download submission template to attach to your submission email.<\/p>\n<p>Site updated daily.<\/p>\n<p><strong>National New Play Network<\/strong><\/p>\n<p>641 D Street, NW<\/p>\n<p>Washington, DC 20004<\/p>\n<p><a href=\"http:\/\/nnpn.org\"> nnpn.org<\/a><\/p>\n<p>Founded in 1998, the National New Play Network is the country&#8217;s alliance of nonprofit theaters that champions the development, production, and continued life of new plays. As a collection of theaters working together across the nation, NNPN champions collaboration between theaters and theater-makers, and the vitality and cultural importance of new plays and living playwrights.<\/p>\n<p>NNPN\u2019s newest\u2014and widest-reaching\u2014project was launched in 2015. The New Play Exchange\u00ae (NPX) is now the world\u2019s largest and smartest database of new plays, allowing robust search-and-filter functions, crowd-sourced recommendations of plays, and the connectivity of a social networking site. The NPX is used by more than 7,000 theater-makers and includes more than 15,000 plays by living writers.<\/p>\n<h1>Announcing Auditions<\/h1>\n<h2>Greater Northwest<\/h2>\n<p>PerformersCALLBOARD<\/p>\n<p>toddio@gmail.com<\/p>\n<p>In 1999, Performerscallboard began as a mailing list for children\u2019s casting announcements. The following year, the scope expanded to adult actors and crew. Since then, over 10,000 cast and crew opportunities have been shared with PCB subscribers.<\/p>\n<p>PerformersCALLBOARD is a email list that announces Casting Calls, Crew Calls, Performance\/ Tech\/ Administrative\/ Intern\/ Volunteer Opportunities and theater\/film related positions. Our purpose is to send these opportunities directly to actors and crew and to promote performerscallboard.com.<\/p>\n<p>Announcements include paid and unpaid opportunities in film, TV, theatre, dance, voiceover, promo, printwork, showcases, staged readings, extras casting, crew and more.<\/p>\n<p>Actors and Crew \u2014 Join to receive announcements of opportunities in the areas of film, television, theatre and more. Subscribers receive cast and crew announcements through email. To request a Subscription Information Packet, send an email to: toddio@gmail.com<\/p>\n<p>Filmmakers, Theatre and Production Companies, etc. \u2014 Post casting or crew call to this group of actors and crew in the Pacific Northwest. You do not have to be a subscriber to post an announcement Send cast and crew announcements to: toddio@gmail.com with \u201cPosting\u201d in the subject.<\/p>\n<h2>Seattle Area<\/h2>\n<p><strong>Northwest Film Forum Callboard (NWFF)<\/strong><\/p>\n<p>1515 12th Ave<\/p>\n<p>Seattle WA 98122<\/p>\n<p>(206) 329-2629<\/p>\n<p><a href=\"http:\/\/nwfilmforum.org\/education\/artist-services\/washington-filmmaking-callboard\">nwfilmforum.org\/education\/artist-services\/washington-filmmaking-callboard<\/a><\/p>\n<p>Googlegroup: <a href=\"http:\/\/groups.google.com\/forum\/#!forum\/nwfilm\">groups.google.com\/forum\/#!forum\/nwfilm<\/a><\/p>\n<p>The mission of the Northwest Film Forum\u2019s Callboard is to help films get made in Washington. If you are working on a film or video project in the Seattle or Washington State area, you can use the Callboard to look for grips, gaffers, screenwriters, editors, actors, graphic designers, sound recordists, composers, set builders, or anyone else you need\u2014paid or unpaid. You can also post requests for locations and equipment. Before you begin, you must have a Google account and sign in. Also, please read the User\u2019s Guide on the website.<\/p>\n<p>The Callboard is hosted by Google Groups and supports these four primary activities: Post, Respond, Invite, and Search.<\/p>\n<p><strong>SAG-AFTRA<\/strong><\/p>\n<p>123 Boylston Avenue East, Suite A<\/p>\n<p>Seattle, WA 98102<\/p>\n<p>(206) 282-2506<\/p>\n<p><a href=\"http:\/\/sagaftra.org\/seattle-local\/casting-notices\/casting-notices\">sagaftra.org\/seattle-local\/casting-notices\/casting-notices<\/a><\/p>\n<p>The SAG-AFTRA Seattle Local represents members working in Alaska, Idaho, Montana and the state of Washington.<\/p>\n<p>SAG-AFTRA members can login for casting notices.<\/p>\n<p><strong>SeattleActor.com<\/strong><\/p>\n<p>seattleactor@gmail.com<\/p>\n<p><a href=\"http:\/\/seattleactor.com\">SeattleActor.com<\/a><\/p>\n<p>Casting Announcements: <a href=\"http:\/\/seattleactor.com\/news\/modules.php?name=ANews\">seattleactor.com\/news\/modules.php?name=ANews<\/a><\/p>\n<p>Anyone can announce an audition on SeattleActor.com. SeattleActor.com also provides relevant industry reviews and news articles. Submit audition online with this link.<\/p>\n<p><strong>Theatre Puget Sound (TPS)<\/p>\n<p><\/strong>P.O. Box 19643<\/p>\n<p>Seattle, WA.<br \/>\n98109<\/p>\n<p>(206) 770-0370<\/p>\n<p>tps@tpsonline.org<\/p>\n<p><a href=\"http:\/\/tpsonline.org\">tpsonline.org<\/a><\/p>\n<p>href=&#8221;http:\/\/tpsonline.org\/auditions\/auddb.php?action=active_list&#8221;&gt;tpsonline.org\/auditions\/auddb.php?action=active_list<\/p>\n<p>href=&#8221;http:\/\/tpsonline.org\/uga&#8221;&gt;tpsonline.org\/uga<\/p>\n<p>Theatre Puget Sound members and non-members can announce auditions through<br \/>\nthe TPS audition callboard and list-serv. Posting an audition is free and<br \/>\nmembership is not required. TPS Membership is required to view complete audition<br \/>\nlistings.<\/p>\n<p>TPS also hosts general, regional auditions every year in either January or<br \/>\nFebruary. Members and non-members are welcome to be auditors at this event.<\/p>\n<h2>Portland<\/h2>\n<p><strong>Portland Area Theatre<br \/>\nAlliance (PATA)<\/p>\n<p><\/strong>1507 SW Morrison St<\/p>\n<p>Portland, OR 97205<\/p>\n<p>(971) 803-7712<\/p>\n<p>info@portlandtheatre.com<\/p>\n<p><a href=\"http:\/\/portlandtheatre.com\">portlandtheatre.com<\/a><\/p>\n<p>General<br \/>\nauditions: href=&#8221;http:\/\/portlandtheatre.com\/page-18091&#8243;&gt;portlandtheatre.com\/page-18091<\/p>\n<p>Producers, theatre and film companies as well as individual artists must be<br \/>\nPATA members to announce auditions. PATA also produces General Auditions for the<br \/>\nPortland theatre community.<\/p>\n<p>&nbsp;<\/p>\n<h1>Securing Rights<\/h1>\n<p><strong>Dramatists Play Service, Inc.<\/strong><\/p>\n<p>440 Park Avenue South<\/p>\n<p>New York, NY 10016<\/p>\n<p>(212) 683-8960<\/p>\n<p>General Inquiries: postmaster@dramatists.com<\/p>\n<p>Nonprofessional Licensing: nonpro@dramatists.com<\/p>\n<p>Professional Licensing: pro@dramatists.com<\/p>\n<p><a href=\"http:\/\/dramatists.com\">dramatists.com<\/p>\n<p><\/a><a href=\"http:\/\/facebook.com\/DramatistsPlayService\">facebook.com\/DramatistsPlayService<\/a><\/p>\n<p>Founded in 1936, Dramatists Play Service, Inc. is one of the premier play-licensing and theatrical publishing agencies in the world. DPS fosters national opportunities for playwrights by publishing affordable editions of their plays and handling the performance rights.<\/p>\n<p><strong>Rain City Projects<\/strong><\/p>\n<p>137 North 84th Street<\/p>\n<p>Seattle, WA 98103<\/p>\n<p>info@raincityprojects.org<\/p>\n<p><a href=\"http:\/\/raincityprojects.org\">raincityprojects.org<\/p>\n<p><\/a><a href=\"http:\/\/facebook.com\/RainCityProjects\">facebook.com\/RainCityProjects<\/a><\/p>\n<p>Rain City Projects supports Northwest playwrights and their work. It develops projects that raise playwrights&#8217; profiles in the theatre community and builds relationships between artists and producers.<\/p>\n<p>With publications, grants, and community events like brunches, salons, readings, and networking events for writers and directions, RCP builds a robust Seattle playwrights community.<\/p>\n<p><strong>Samuel French, Inc.<\/strong><\/p>\n<p>235 Park Avenue South, Fifth Floor<\/p>\n<p>New York, NY 10003<\/p>\n<p>(866) 598-8449<\/p>\n<p>(212) 206-8990<\/p>\n<p>info@samuelfrench.com<\/p>\n<p><a href=\"http:\/\/samuelfrench.com\/licensing\">samuelfrench.com\/licensing<\/a><\/p>\n<p><a href=\"http:\/\/samuelfrench.com\/submissions\">samuelfrench.com\/submissions<\/a><\/p>\n<p><em>Licensing.<\/em> Producing a play with a current copyright published by Samuel French requires a license. Follow the link for more information on that process.<\/p>\n<p>Samuel French notes that &#8220;Any performance of a work under copyright for an audience must be licensed,&#8221; and &#8220;Licensing your shows ensures that playwrights and composers are being fairly compensated for the use of their work.&#8221;<\/p>\n<p><em>Submissions<\/em>. Samuel French, Inc. is currently not accepting unsolicited submissions. Please continue checking back for updates regarding their submission process. Currently, Samuel French buys publication rights after successful productions in New York City or a major regional theatre.<\/p>\n<p>Samuel French suggests consulting The Dramatists Guild of America for information on production opportunities before pursuing publication if your work has not been produced at the national or regional level yet.<\/p>\n<p><strong>StagePlays.com<\/strong><\/p>\n<p>UK and USA<\/p>\n<p><a href=\"http:\/\/stageplays.com\">stageplays.com<\/a><\/p>\n<p>Based in the UK and the USA, Stageplays offers a large searchable database of plays &amp; musicals. These are available for purchase (hardcopy and download). Claims to be able to deliver any play in print.<\/p>\n<p><strong>Umbrella Project<\/p>\n<p><\/strong>Seattle<\/p>\n<p>umbrellaprojectnw.org<\/p>\n<p>Over the tag line &#8220;We move new plays forward,&#8221; Umbrella Project develops and advocates for diverse new theatrical work through radical dramaturgical support.<\/p>\n<p>UP describes radical dramaturgical support as as different than the standard dramatugy of research, structure analysis, education, and support for actors and directors. It includes all of the standard roles of dramatugy while bringing an inclusive, holistic approach to the process of developing new theatrical work.<\/p>\n<h1>Selecting Plays<\/h1>\n<p>Use one of the many\u00a0online databases, read reviews, and see a lot of works in development.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Resources Announcing Auditions Securing Rights Selecting Plays Resources Dramatists Guild of America 1501 Broadway, Suite 701 New York, NY 10036 info@dramatistsguild.com (212) 398-9366 dramatistsguild.com facebook.com\/dramatistsguild Launched 1912 as the Authors\u2019 League of America, the Dramatists Guild of America now serves over 7,000 playwrights, composers, lyricists, and librettists. 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